'Caroline, Or Change', 'Trouble In Mind', '1776' Target New Broadway Openings No Date Yet For 'Birthday Candles' With Debra Messingĭave Bautista Action Sci-Fi 'Universe's Most Wanted' Pre-Sells Around The World Koaho is represented by The Characters Talent Agency, Buchwald and Wright Entertainment. Gee is repped by Kishwar Iqbal of GGA in Toronto. Unreal Engine will be a key technological component for the film, from prep through post-production. In addition to development support from Bell Media’s Harold Greenberg Fund and Creative BC, Levels has recently been awarded an Epic MegaGrant, giving the project support for its planned use of virtual production techniques. ![]() He also worked on Falling Skies which starred Koaho. Stern is also an award-winning and Emmy-nominated VFX supervisor and artist who has worked on various projects at Apple TV+, Netflix, Disney, Nickelodeon and Syfy. Stern is known for his award-winning shorts including the viral FTL, which has surpassed 20 million views online and is currently one of the top films on Gunpowder & Sky’s sci-fi platform Dust. I can’t wait to see them breathe life into these roles.” Cara’s phenomenal work as Drummer on The Expanse consistently blows me away, a combination of elegance and ferocity that’s perfect for Aislinn. “I’m a big fan of Mpho’s from both Dirk Gently and Falling Skies – he has a unique take on Joe and brings so much to the table. “I’m insanely excited to work with Mpho and Cara on Levels,” said Stern. This brings more Indigenous and Native American representation into the spotlight. The casting bolsters representation in front of the camera as Koaho is of South African descent and Gee is one of the few First Nations actresses in Canada and in the film and TV industry. ![]() “ Levels is structured as the perfect feature debut for this talented filmmaker.” “Adam shows a unique talent for storytelling within the genre, including strong character work with his actors, compelling visuals and the ability to produce visual effects-heavy content on a fraction of the cost of studio tentpole movies,” said Wosk.
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